I've loved stained glass as long as I could remember, but Harry Clarke took things to a whole other level. I really don't know how he languishes in such obscurity.
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and the book illustrations! I wish I could draw with that kind of gorgeous detail.
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In my late 20s, I've found that I've rediscovered things I loved in childhood that I didn't have access to after reading all the books in the library that looked interesting and not having access to things like OhioLink and the Internet.
My sister and I loved fairy tales as a kid, Perrault, Andersen, The Brothers Grimm, and Andrew Lang, and my grandparents had faded volumes with fraying cloth bindings and I loved the illustrations which had so much drama and detail and the more obscure tales, leading to reading lots of fantasy. I still have volumes of this stuff at home that I picked up at sundry booksales and such. I never realized that Russia had such amazing illustrators in the 19th century.
I wish there was an paint-by-number set, but I'm getting plates of these ones etched, even if the content seems a bit strange for hanging on the living room wall. That Art Nouveau sensibility while evoking illuminated manuscripts and folk art, it's just a beautiful thing.
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Vasilisa the Beautiful is not just pretty, but she's smart too, and given that Halloween is three days from now, this feels somewhat appropriate.
I stumbled across Virginia Sterrett's work and it reminded me of that sense of wonder I had when I first started reading such things.
and of course, Dulac's take on Poe...
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I also wanted to be a ballerina when I was seven, and jumped around my parents' living room to Tchaikovsky and roller-skated with my sister in the basement to those greatest hits classical records (Beethoven's Biggest Hits) slowly destroyed by a Fisher-Price turntable that my dad refused to let us put his records on. He's a smart man.
Vrubel's Swan Princess reminds me of the Trina Schart Hyman book of the folktale I got from the library when I was little, but more impressionistic...
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And, as an arty kid with a religious bent, Victor Vasnetsov is a balm for my soul, an antidote for the Thomas Kinkades of the world.
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Evelyn Paul's illustrations are lovely, understated and that medieval-evoking thing going on as well,
And Kay Nielsen, who died in poverty, leaving behind some incredible beauty as well.
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And this, this is beautiful too.
1 comment:
Dammit, this makes me want to draw. I'm gonna go draw.
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