Being a Clevelander I ask this question of all people who settled here from much swankier and warmer climes. Usually they don't know how they got sucked into the Rust Belt vortex and that's understandable.
Same with this little corner of the Internets... Moral of the story is that what you're looking for probably isn't on here, except for my well-documented disdain for a certain Soundgarden frontman's solo material and maybe some gravestones.
cleveland call girls for sexy
things baby racoons play with
back in the days did prostitutes hang out on prospect ave in cleveland
chris cornell hate
cleveland east vs west
blaspheming
homework for kindergarten ms.ryan's class ps.165q
art beautiful obscure love statues tombstones
darkthroning
exotic women from the middle east in stained glass
quiet places in cleveland at night
amateur jailbait
tuna blotter
Deer Attack People
banana thieves
drug names on tombstones
victorian robber baron
barbie boadicea
sexy big game huntresses
pantheism female forest spirit
Showing posts with label the internets. Show all posts
Showing posts with label the internets. Show all posts
Wednesday, November 2, 2011
Tuesday, September 27, 2011
and so it begins again
Like buzzards circling over Hinckley Lake, it's time again for the annual get-off-my-lawnism debate about the current batch of Rock Hall nominees, as if it isn't already more than predictable after how many years of this, post-freedom-rocking boomers. Inevitably, there is a disco act, and in the last five years, a hip-hop act, and some 60's bubblegum pop group that I've never heard of.
Because this city is still stuck somewhere in the vortex of 1975-1987, one would think that the most pressing issue affecting the average Clevelander is not corruption, a craptastic economy, and failing schools, but that their favorite somewhat dorky 70's prog bands aren't liked by people in New York who don't even care that we the relative yokels exist. Still, there seems to be this inherent need within the rustbelt to be validated by the arbiters of some strange standard of cool on either coast, which isn't all that cool anyway, considering that these are people are mostly industry hacks and hangers-on.
While these debates make for slightly less divisive conversation than politics over morning coffee, it's a source of amusement to read the comments on Cleveland.com and visualize all these grown men (I'm assuming they're mostly dudes older than me, sorry male species!) getting angry on the Internet due to the perceived snubbing of Emerson, Lake, and Palmer.
It's also amusing to me to read comments referring to Metallica as a "Poor Man's Led Zeppelin" and Rush as "a garage band that plays the same cord over and over again," and why is Parliament-Funkadelic in there because they don't rock because obviously they've been listening to Atomic Dog instead of Maggot Brain. Of course there's the terribly stereotypical and borderline comments about hip-hop, allegations of political correctness, the required appearance by the local legion of KISS fans, and people all but threatening to fight each other over the merits of Jethro Tull vs. Donna Summer.
Anyways, I talk tuneage with my fellow peons all the time, and it gets snarky, but it's nothing to come to fisticuffs over.
Because this city is still stuck somewhere in the vortex of 1975-1987, one would think that the most pressing issue affecting the average Clevelander is not corruption, a craptastic economy, and failing schools, but that their favorite somewhat dorky 70's prog bands aren't liked by people in New York who don't even care that we the relative yokels exist. Still, there seems to be this inherent need within the rustbelt to be validated by the arbiters of some strange standard of cool on either coast, which isn't all that cool anyway, considering that these are people are mostly industry hacks and hangers-on.
While these debates make for slightly less divisive conversation than politics over morning coffee, it's a source of amusement to read the comments on Cleveland.com and visualize all these grown men (I'm assuming they're mostly dudes older than me, sorry male species!) getting angry on the Internet due to the perceived snubbing of Emerson, Lake, and Palmer.
It's also amusing to me to read comments referring to Metallica as a "Poor Man's Led Zeppelin" and Rush as "a garage band that plays the same cord over and over again," and why is Parliament-Funkadelic in there because they don't rock because obviously they've been listening to Atomic Dog instead of Maggot Brain. Of course there's the terribly stereotypical and borderline comments about hip-hop, allegations of political correctness, the required appearance by the local legion of KISS fans, and people all but threatening to fight each other over the merits of Jethro Tull vs. Donna Summer.
Anyways, I talk tuneage with my fellow peons all the time, and it gets snarky, but it's nothing to come to fisticuffs over.
Wednesday, July 27, 2011
spamtastic
You know it's spam when the writer of Native Son lets you know that you've been nominated to be mentioned among the Movers and Shakers and Bright Young Things.
Dear Candidate,
This is a final invitation to register, please respond at your earliest convenience. If you have already registered, thank you. You were recently appointed as a biographical candidate to represent your industry in the Who's Who Among Executives and Professionals, and for inclusion into the upcoming 2012 "Honors Edition" of the registry.
We are pleased to inform you that on March 29th, your candidacy was approved. Your confirmation for inclusion will be effective within five business days, pending the completion of the enclosed application.
We do require additional information to complete the selection process and kindly ask that you access this form on our website by Clicking Here.
There is no cost or obligation to be listed.
Sincerely,
Richard Wright
Senior Director
Dear Candidate,
This is a final invitation to register, please respond at your earliest convenience. If you have already registered, thank you. You were recently appointed as a biographical candidate to represent your industry in the Who's Who Among Executives and Professionals, and for inclusion into the upcoming 2012 "Honors Edition" of the registry.
We are pleased to inform you that on March 29th, your candidacy was approved. Your confirmation for inclusion will be effective within five business days, pending the completion of the enclosed application.
We do require additional information to complete the selection process and kindly ask that you access this form on our website by Clicking Here.
There is no cost or obligation to be listed.
Sincerely,
Richard Wright
Senior Director
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