Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Monday, May 9, 2011

unmovable blocks

I think I need another Arabica Night because I haven't attempted to write anything in a couple weeks and an optional deadline is looming at the end of the month. I've been reading and trying to get inspired, haunted by the literary ghosts/muses of Pekar, Balzac, Austen, and Joyce, by the flowers growing through the weeds of the house next door with the twisted yellow siding ripped by wind and burned by arson, melted into clanking curlicues of vinyl. If it had been metal, it would have been long gone by now.

I'm not as dead-crackerific as my creative compadre, but I struggle to evoke worlds on paper and on the laptop. I started writing on here to attempt to process musings about city and life and people, to keep writing even if I don't always have much to say that makes sense or is of any remote interest to the world outside of yours truly, learning how to see better, learning this whole life thing in general.

I really don't have much patience with either the chroniclers of Bright Young Things on either coast or the wannabe Bukowskis or the Jonathan Franzens rehashing the tired trope of literary DesperateHousewifery of outer-ring suburbia. It's boring. Hearing about New York and California all the time gets old, but those who dare to write about the Midwest or the Rust Belt post-1950 don't bring it to life for me for the most part.

I don't want to read crime novels or lurid tales of Scumbags Doing Scumbag Things to Each Other or Depressed Self-Absorbed TwentySomethings Just Like The Author, or First World White Girl Problems or Remember The Good Old Days That Never Existed. I don't want utter bleakness or sentimentality, and I know there has to be a middle ground here somewhere, it's just hard to find.

I know I will never be as good as those whose strings of words I love, but I'm hoping that I can string together the literary equivalent of beach glass, thrift store beads, and rock crystal into something interesting since I doubt it will be priceless.

Thursday, March 3, 2011

since I didn't get my existential convos this week and am working late instead...

I find it amusing when those outside of evangelical circles like to generalize about an entire group in ways that are about as absurd as saying that Al Sharpton or Louis Farrakhan or Oprah speak for "the black community" or put-your-favorite-talking-head here speaking about their pet topic.

Immerse yourself in any subculture, whether it's musical or religious or whatever, and there are infinite permutations and variations and raging debates on what is true and good and what sucks and is totally ridiculous.

As far as serious issues go in the taboo topics of politics, sex, and religion, I am more willing to argue about religion than other things because I think that this kind of stuff actually matters in the great scheme of things as far as eternity goes, and as far as application to one's daily life in the meantime.

On the other hand, I don't really like to have these arguments because I don't believe that any of us mere mortals really get it half the time. There are certain things that I hold to, that I gauge the truth based on as far as I can tell. Any time anyone starts talking about "a new way of" this or that or anything resembling a "bright new future", I'm expecting a whole lot of bullshit platitudes coming my way.

So often we make God into our own image, assigning preferable personality traits and occasionally a skin color, political party, and language to fit the way we see the world, whether it's in a hellfire-and-brimstone-way or a Buddy Christ motivational booster kind of figure who just wants everybody to be happy and get along.

Anyways, Rob Bell has a new book coming out where he's talking about heaven and hell and not in a way that has anything to do with Dio and the inevitable evangelical subcultural debates have begun on whether or not he's keeping it real or something.

Most of you my dear readers (possibly all except for maybe one or two) may not realize that evangelicals are not all clones of Dan Quayle and Sarah Palin. Evangelical is if anything a catchall term for those who are not in mainline Protestant denoms or Eastern Orthodox or Catholic, and even then, there's occasional overlap. People take this stuff seriously and occasionally aren't friends anymore over hair-splitting doctrinal differences (I don't think that's a good thing, but more on that another time).

The book hasn't come out, so no one's read it yet, kind of like all the people who freaked out about Dogma but hadn't actually watched it. Having seen a few of Bell's videos and whatnot, I'm not a huge fan and while a lot of it sounds nice and looks pretty, it lacks a theological depth and seems to be more of an emotional and aesthetic appeal that looks deeper than it really is.

This is somewhat my issue with the whole Hipster Christianity thing because what looks all cool and edgy and relevant right now is going to look like Stryper 20 years from now if it doesn't already. And when I get mailings from these churches that talk about how they're relevant to me as a creative cynical questioning 20-something who doesn't feel like they fit in with the prevailing culture, I feel pandered to and I don't like feeling pandered to.

I don't pick who I worship with because the building looks cool or we all listen to U2 or there's candles or something. I like that they're not all earnest indie kids and that I find a commonality in God with people that I couldn't be more different from. I like that we're not all the same age and from the same walks of life and that it's scruffy and honest.

Not to sound like a bitter old record store clerk still mad that their favorite underground band got signed to a major and is played on commercial radio, but faith isn't supposed to be cool. And yet, I look at these articles and see myself there in a way that I assume is unconscious and accidental in an "oh snap" kind of way because I do love the writing of Flannery O'Connor and the music of U2 and try to give a damn in an "I want to do something good and right because it bothers the hell of out me that things are so bad" kind of way.

I understand my generation's disdain for poofy haired televangelists and the culture wars still fought by our parents, but there's just as much smug self-righteousness and keeping up appearances that becomes just as much a bubble with its own lines to tow, whether it's trendy and good intentioned causes that everyone thinks is bad (sex trafficking and genocide are generally non-controversial in this way) so that no boats are rocked and a cachet of cool is still maintained.

I get emotion and aesthetic appeal, but essence of what I believe is distilled down to "Love the Lord your God with your heart, soul, mind, and strength and love your neighbor as yourself." I suck at both of these, but this is what I try to base my life on, to know and learn and love and try not to be a jerk, which is hard, because being a jerk is so easy and sometimes way too fun to do.

And what bothers me that is that the whole "mind" aspect of this equation gets checked in at the door more often than it should, both in hardcore fundamentalist circles and just as much among the more emergent types, when dissent can lead to accusations of "well you're not really a Christian" or "you obviously hate everyone especially poor people and are totally judgmental."

I've been told I was the former, because I didn't dress right, listen to the wrong music, and cuss when I get mad, and described as the latter because I do believe in structure and creed and not in the bright and shining hope of People Who Can Change the World Because They're So Nice and Awesome and Well-Intentioned. I know that they don't know me, that only God knows me better than I know myself, and the more I live, the more I realize how much about me needs to change.

It bothers me to see so much tied to "how this makes me feel" or "this is what I want to hear" or "this is what I want to believe." I'm probably guilty of this too, because I tend to tune out the talking heads and the drivel with every fiber in my being. These conversations are not conducive to facebook walls or message boards and as with anything that can get emotional or misconstrued, I always prefer face-to-face, preferably over dinner or coffee. Even then, sometimes it still gets dramatic.

Because who of us has all the answers or can comprehend these things? It's not that we don't try but we've had a couple millenia now and there will still be thinks that will be seen through a glass darkly. I know that I'm not always consistent and usually not content to just live and let live. It bothers me that there is so much that I just don't understand, and so much more to learn, and that I can't get complacent even if I wanted to because my mind is always working and my heart is always bleeding and my soul is always yearning.

I feel like the little kid in O'Connor's short story "Temple of the Holy Ghost" who makes fun of her ditzy Catholic schoolgirl cousins, the boys in the neighborhood who are going to be Church of God ministers because "You don't have to know nothing to be one," who's asking God to help her not be so snarky, who probably could never a saint but might be an ok martyr "if they killed her quick."

Friday, January 21, 2011

a surprising masterwork of total mediocrity

After the onslaught of Creepy Old Men last night, I'm thankful that the new student worker shares a similar sense of humor in regards to matters of the geopolitical. I also began working longhand on some sections of what will probably be my very own literary work with the timetable of Chinese Democracy, since at the very least Kevin Shields created a masterpiece of a record before eternally shelving that lost My Bloody Valentine followup and I have not done so.

I've got notebooks dug out from the parents' house last weekend full of jottings of conversations and stories from my senior year onward, that I might dig back into. Much of it was terrible writing of the quick documentation variety, capturing trivial conversations and awkward social dynamics for posterity that I would have forgotten otherwise.

There's some splice and dice action so far, mixing fresh prose with reworked other writings that have seemed to work decently upon reading. It's not great literature but it's not total trash. I'm just hoping that it can be something solid and believable. I'm trying to render details and not waste words, piling on layers of description and emotion, calling to mind the smallest details like album track listenings and coffee mug sayings and the patterns of 1970s linoleum.

Few writers have tackled this territory, with its strange culture of its own, and I want to do it justice in a way that's neither sentimental nor cruel. Too much fiction does that already, and I don't want to do it too.

Wednesday, January 12, 2011

on art, literature, and Dogma (incoherence reigns)

Like the last time I had wanted to see some good free live music on the east side, the snow decides to come down in massive quantities. I love public transportation on days like that because at the very least if I'm stuck I can read or something, but anything's better than being in a long line of cars and wondering if the bridge you're sitting deadlocked on is going to buckle and send you nosediving into the frigid Cuyahoga River.

However, having a stash of CDs to get me through and leftovers from lunch in the car made the gridlock and the catcalls from loiterers on the corner much easier to bear though I wish I'd remembered to set my alarm this morning so I don't have to reprise all the fun.

Hibernation and not having anywhere to go is a beautiful thing, being able to change out of work clothes and make tea and a dinner consisting of Goya taquitos with no nutritional value and a grapefruit, and watched 'Dogma' for the first time.

I had heard a lot about how bad and blasphemous the movie was from the Catholic newspapers that my grandparents got but I've always believed that you should know what you're talking about for yourself as opposed to what other people say about something.

While I take God as a literal supreme being and la Santa Biblia more seriously than some wingnuts seem to, I'm also convinced that God has a fabulous sense of humor and a deeply creative nature, due to the heady combination of beauty and weirdness that is the created world. I get this sense of wonder when I see photos of galaxies and nebulas. I probably get this from my mom, whose faith was rekindled as a grad student in environmental studies in the 70's.

Everything else, however, is up for grabs, and there's enough dry humor in Proverbs, downright scatological imagery, and some serious sarcasm woven into the Good Book that I really didn't find anything terribly shocking or blasphemous. I do think that there are certain truths and beliefs that mean way more than simple "ideas" and that these do affect one's life in a massive way, but I honestly didn't expect to laugh as hard or find as much depth as I did.

But for someone like me who grew up Catholic, argued with my theology teachers, questioned everything under the sun, gets very cynical about the increasingly common and ridiculous Buddy-Christing of modern church culture, was accused by a college professor at Kent of "sucking on the tit of Mother Church" in the middle of class as an undergrad, whose conversations with God often involve a lot of cussing and questions wondering why things are the way they are and why do things happen the way they do and what's the point of all this.

I'm sure that people will get what they want out of it, whether it's an "I told you organized religion is a sham" or "there's something strangely redemptive here." And that always happens whenever art is involved. One of my art school friends did a final project installation piece that included a film about her great-grandfather who wrote the first hymns in the Tamil language and at the show, a lot of the people who viewed it couldn't get past the Indian-ness of it, assuming that said girl in sari was of course Hindu and into an entirely different theology.

And I wonder if I'm just too English-major-ish when I'm seeing echoes of the Screwtape Letters in the conversations of the fallen angels, the calling out of idolatry in modern civilization, concepts of grace and forgiveness and judgment, and a sense of humor and theology that reminds me of Flannery O'Connor's crazy preachers of the Church Without Christ and carnival freaks that are as unlikely prophets as Jay and Silent Bob, and Walker Percy's apocalyptic scenarios of fragmented partisan Americas and Jesus showing up on Phil Donahue.

Maybe if I was still Catholic I could write something good and God-haunted, but I can't go back there at this point because there's just too much that I can't believe in anymore. That being said, the evangelical wing of modern Christianity kind of sucks in the fiction department, with its terrible virginal romance novels about Amish people and governesses, and general ripping off of already mediocre pop culture.

I don't expect anything to be terribly cool or trendy because that's not what this whole thing is about. If I wanted to be 'with it,' I wouldn't be bothering with this. It has to come from within and not be imposed upon. That's how things got screwed up post-Constantine.

But seriously, fellow believers, a little bit of originality and talent put to good use never killed anyone. Heck, if you believe in God as a supreme and genius Creator and you're made in his image, you need to step up your game a whole lot. More Albrecht Durer and T.S. Eliot and less Thomas Kinkade and less hipster memoirs and prairie romances, okay?

Wednesday, February 10, 2010

gone on too long.

I couldn't find matching gloves this morning. I was shivering at the bus stop with two scarves wrapped around me but still thankful that I didn't have to drive through all the mess.

They say we're the worst city for winter weather, but I don't think that's true. This isn't Siberia, where it's -26 and your breath freezes when you exhale.

It does feel good to come home on days like this, and my routine hasn't changed much from my college days, come home and change out of work clothes into grungy comfortableness and drink infinite cups of tea while digging for lazy leftovers in the kitchen.

My roommate and I were going to pack more last night but we were both feeling so slackerish so we were nostalgia tripping on Youtube instead and wondering whatever happened to Lauryn Hill and remembering the awesomeness of Sesame Street back in the day.



This one is priceless.



When going through all my stuff with the move, I thought I was pretty good about getting things back to people and I found all these CDs that people loaned me waaaay back in the day. A burned copy of Aceyalone/Freestyle Fellowship? I had all good intentions but I never saw her again after that first week at Kent State. That Can album? I don't even know where that guy lives anymore. I haven't seen him in three years.

And some of these books! I'll probably never get around to reading Kierkegaard's 'Fear and Trembling' or 'Gravity's Rainbow,' but most of these are coming with me. I have the Quran and the Satanic Verses side by side in a cardboard box. I'll miss having built-in bookshelves to stack CDs and paperbacks on and forgot how much poetry I own. I was a fiend for library booksales and would come home with bags of books about anything that looked interesting or that I didn't know about. I'm kind of nerdy that way.

I loan books out without expecting them to return home. It's my inner librarian that just wants to see knowledge go everywhere and does so without any kind of profit-making agenda.

I go through cycles where I read tons of poetry and then other years when poets totally irritate me. But recently the power of words has been resonating more, and I find myself re-reading old favorites, marveling at T.S. Eliot, swooning over Pablo Neruda, loving that new Gil Scott-Heron record and hoping that I can stumble across a print volume of his works too, since OhioLINK wanted that back.



I used to hate Valentine's Day when I was in college because everyone acted so darn smug and the one year I was supposed to go see Henry Rollins but my ride fell through and so I was all angsty in my dorm blasting 70s punk and trying to pretend I didn't care.



I can't be bothered now. I haven't done anything in years and it's become almost just another day, especially since. All that candy is nasty anyway. Last Valentine's weekend I was the only white girl dancing at Caribbean Flavor and I used my Monday off to go on a photo adventure where I got some great shots, almost got my car stolen, and chilled at the West Side Market.

A lot has changed since then... the guy I went dancing with I don't see much of anymore and the photography day turned out to be the first in a whole series of Cleveland-related adventures that took us to the Metroparks, various abandoned buildings, and so on. I'm not going to ramble about my issues with the whole love thing and how I don't understand it, but I'm sure a lot will change in the coming year too the way things are going already.

Also, all you Cleveland people need to get outside and hang out on the lake... it's awesome.



Wednesday, June 17, 2009

Salman Rushdie, I love you.

..."there are bands that are hit machines, bands that earn the respect of the music crowd, bands that fill stadiums, bands that drip sex; transcendent bands and ephemeral, boy bands and girl bands, gimmick bands and inept bands, beach and driving bands, summer and winter bands, bands to make love by and bands that make you memorize the words to every song they play.

most bands are awful and if there are aliens from other galaxies monitoring our radio and tv waves, they're probably being driven crazy by the din. and in the whole half-century-long history of rock music there is a small number of bands, a number so small you can count to it without running out of fingers, who steal into your heart and become a part of how you see the world, how you tell and understand the truth, even when you're old and deaf and foolish...

... and it was the voice that did it, it's always the voice; the beat catches your attention and the melody makes you remember but it's the voice against which you're defenseless, the unholy cantor, the profane muezzin, the siren call that knows its way directly to the rhythm center, the soul. never mind what kind of music. never mind what kind of voice. when you hear it, the real thing, you're done for, trust me on this..."

-From "The Ground Beneath Her Feet"

Friday, December 5, 2008

light, bright, and sparkling

So it's been an interesting week... almost-drama that's amusing in its absurdity especially since I was unaware of any previous relationship, strange characters in and out of my workplace, and the small wonders and frustrations that is the daily grind.

I wish I was as gifted of a writer as Jane Austen because like her, I find the quirks and small dramas and greater universal issues apparent in my small little corner of the world fascinating. I wish I could capture and distill like she did, but I doubt I will ever be able to do that.

When I look back at my Kent State education, I'd have to say the highlight of my English department experience was my Austen seminar I took senior year where we read everything she wrote, along with "Reading Lolita in Tehran," "Persepolis," and the not nearly as exciting "Jane Austen Book Club" which maybe I'd appreciate if I was closer to middle age, but I'm not there yet and will hopefully be reading more exciting things than that.

I was afraid that I would hate Jane after a whole semester of immersion but it turned me into a fangirl even moreso. Not that I run through the streets of Cleveland in empire-waist dresses figuring out when the next ball is, but I found the books entertaining in the extreme. I guess it's a predisposition for dry British humor that I always fall for and the hope against hope for happy endings in spite of my preconceptions.